The biggest problem, if one hypothesizes, is that there is no solution in sight.

And the conclusion, which is related to one of these story arcs, makes the whole bunch of grapes a little sour. I could agree that rage created the cavity between them, and that rage, that unflinching, uncontrollable feeling due to things petty, got them apprehended in the second act, but the story arcs that grow themselves out of the main story is purely inconsequential. Which the makers want us to believe is due to one of the protagonists' feeling, which is also the central theme of the film: rage. While the first act shows the slow formation of this cavity and Anjali's harried attempts at maintenance, in the second half, the duo are apprehended, due to an entirely coincidental turn of events, by a group of rowdies. Siddharth's anger creates a cavity in the relationship with his wife, which is further aggravated and tested by times as they set out to the latter's parents' place through crooked roads of the Kerala-Tamil Nadu border. Unfortunately, her hopes are not as audacious as they seem, as everyone finds out the hard way.

Anjali knows that her good-looking husband has anger issues, but still takes the plunge hoping that he might change. Albeit through a cranky start with their respective families and careers, the duo manage to salvage the situation, paving a neat road to a peaceful matrimony. Siddharth (Salmaan) is a short-tempered young man who lives with his wife Anjali (Pallavi) after being in love since college. And in 2016 we have another fresh attempt by him which talks about a notorious human feeling through a thriller template. Sameer Thahir charmed us last time with his brilliant road film, Neelakasham Pachakadal Chuvanna Bhoomi (2013) which was, although not entirely original, a novel feature in Mollywood.

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